Apogee 1 Meter Lightning Cable - for ONE, Duet, and Quartet. Apogee One for iPad and Mac iOS/USB Audio Interface at a Glance: High-quality audio in a.
Apogee Electronics ONE for Mac: Apogee ONE is an all-in-one portable, USB audio interface that gives you everything you need to make professional recordings on the go. Connect a microphone, guitar or use ONE’s exceptional built-in omnidirectional microphone to easily capture your music without compromise. ONE even lets you record with a microphone (built-in or external) and guitar simultaneously. Using Apogee’s industry-leading AD/DA conversion and mic preamp technology, ONE produces pristine music, podcast, and voice-over recordings while also delivering studio quality sound to your headphones for precision mixing or hi-fi listening.
Studijski USB mikrofon Koda izdelka: MIC96K-WIN-MAC Apogee MiC is a professional studio quality USB microphone you can directly connect to your iPad, iPhone, Mac or Windows 10 computer. About the size of an iPhone, MiC makes it easy to capture your best take with incredible quality, anywhere your music takes you. Record any sound you can imagine, from vocals to voice-overs, instruments to interviews and everything in between. MiC 96k simplifies the recording process for voiceovers, podcasts and interviews and delivers professional results. With MiC 96k and your laptop you have an affordable setup that is portable and easy to use.
MiC 96k features a wide dynamic range for capturing any singing style and genre. From soft ballads to hard rock, your vocal recordings will be clear and detailed.
And because you can easily set your level directly on MiC, your tracks will be distortion-free. MiC’s preamp and A/D converter are designed to record the true tone of acoustic instruments.
Recordings of acoustic guitar, piano, strings and percussion will all sound like you are in the room with the performance. FeaturesStudio quality cardioid condenser microphonePureDIGITAL USB connection for pristine sound qualityDesigned for vocal and acoustic instrument recordingTwo models to choose from (Mac/iOS or Mac/Windows)iOS connectivity available for Windows model with Apogee’s Lightning iOS cable (sold separately)No configuration required, just plug in and recordMade in the U.S.A. Studijski USB mikrofon Koda izdelka: MIC-PLUS Studio quality microphone you can take anywhere. Apogee MiC Plus is a professional studio quality USB microphone you can connect to your iPad, iPhone, iPod touch, Mac or PC. MiC Plus makes it easy to capture your best take with incredible quality, anywhere you go.
Record any sound you can imagine, from vocals to voice-overs, instruments to interviews and everything in between. Features: Professional cardioid condenser microphone capsule.
PureDIGITAL connection for pristine sound quality up to 24-bit/96kHz. 46dB of mic preamp gain, digitally controlled for greater precision.
Powerful headphone output with Blend feature for zero latency monitoring. No configuration required, just plug in and record. Namizno mikrofonsko stojalo Koda izdelka: PSA1StudioArm Studio microphone boom arm for broadcast and radio, studio or home installations, designed for the RODE Procaster and Podcaster.
Arm offers a horizontal reach of 820 mm, a vertical reach of 840 mm, and a full 360° rotation, and can support most of the microphones weighing between 700 g and 1.1 kg (when combined with shock mount that is sold separately). Arm comes with Velcro cable wraps and both desk-clamp and desk-insert style attachments for versatile mounting in desks up to 55 mm thick (clamp) or 70 mm thick (insert).
Black colour.
Versatility, thy name is —assuming, in this instance, that versatility is defined as a $249 microphone/USB audio interface made by Apogee. And it earns this label because this black ice-cream-sandwich sized interface allows you to connect a variety of audio devices to your Mac via USB as well as XLR- and quarter-inch connectors. It supports both standard XLR microphones as well as those that require phantom power. And tucked inside is a quality mic preamp.
Compatible with any Core Audio application (including Apple’s Logic, Logic Express, and GarageBand as well as Ableton Live and ProTools), the One also sports a very decent built-in microphone. How it works Inside the box you’ll find the One, Quick Start guide, software disc, USB cable, and breakout cable that holds an XLR input and a separate quarter-inch input. Install the software and restart your Mac. Attach the breakout cable to the top of the One and jack in a guitar or microphone cable. Regrettably, the box does not contain a microphone clip that fits the One. Apogee sells such a clip separately for $20. Apple and Apogee have a close relationship so Apogee’s gear tends to “just work” out of the box.
Used Apogee Electronics One For Macbook
In the case of the One and GarageBand, this is exactly the case. To use it with GarageBand, string the included USB cable between the One and a USB port on your Mac. Fire up GarageBand and you’ll be asked if you’d like it to use One as an input and output device.
Click Yes and you’re nearly there. The One will now appear as the input source in any real instrument (digital audio) track and will also be used, by default, for guitar tracks. By default, its built-in microphone is the selected input. Also, by default, it will be GarageBand’s output device. You can use it that way with headphones or powered speakers plugged into the Headphone port or change outputs and monitor from another device—headphones or speakers attached to your Mac, for instance. You can change its input by clicking on the Input Source button and a small Apogee One window appears. In this window’s Source pop-up menu you can choose Internal Microphone, External Microphone, External 48V Microphone (a microphone that requires phantom power), or Instrument.
Also within this window you can adjust the One’s input gain, select whether it’s connected to a line-level source or instrument amplifier, and switch muting on or off. When you switch inputs, the appropriate input icon on the front of the One lights up to tell you how the One is configured.
Used Apogee Electronics One For Machine
At this point you can use the One’s large single knob to adjust the device’s gain. A three-stage LED tells you how high that gain is. That large knob can control more than input gain. Press on it to toggle between the selected input and the output port. Once you’ve selected the output port you use that knob for adjusting the One’s output volume.
Apogee One Review
Press and hold on the knob for one second to mute the output. Unmute by again pressing the knob for a second. The One supports both 44.1- and 48kHz sample rates (44.1kHz is selected automatically when you use GarageBand). You must change the device’s sample rate within Apple’s Audio Midi Setup utility. Included in the software installation is Apogee’s Maestro Mixer application. If you find that your music software has too much latency—you’re monitoring your performance through headphones and that performance is delayed by the software—you can route it through Maestro Mixer, which introduces far less latency.
I didn’t have any latency issues recording with GarageBand on my 2010 MacBook Pro, but it’s nice to know that Maestro Mixer is there if you need it. How it sounds All the instruments and microphones I plugged into the One sounded great. I didn’t detect any added noise and the input was clean regardless of the gain level I chose. Sound from the headphone jack was just as clean.
I conducted a couple of recording tests with the built-in microphone and was mostly pleased with the results. In a voice test I found that the One’s mic is a little brighter than I like my mics to sound. MXL’s USB.009 for example, produces deeper tones and plays down some of the sibilance that I heard from the One. (It’s also a much more expensive microphone and doesn’t act as an audio interface.) I used two Ones to record my piano and I was impressed with the results.
I was able to record the piano with GarageBand by creating an aggregate device in Apple’s Audio MIDI setup, recording two channels simultaneously, and assigning one One to the first track and the other to the second track. When mixing the two I panned the One over the low strings hard left and the other—hovering over the high strings—hard right. As a fairly bright mic, the Ones certainly picked up the ringing of the piano’s high notes, but the low notes were also evident. You can hear the result for yourself in the.
Macworld’s buying advice I’m very impressed with Apogee's One (and more impressed with two when miking a piano). For the price, it provides a lot of flexibility, great sound from instruments and microphones plugged into it, and good voice quality from a device that isn’t designed to work only as a microphone. If you’re a musician or podcaster who needs to record only one input at a time, the One is a very tempting interface.